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Kiyoshi Mizutani. Reiko.A. Satanstornade Website Masami Akita ( 秋田 昌美, Akita Masami, born December 19, 1956), better known by his Merzbow ( メルツバウ, Merutsubau), is a Japanese. He is best known for his style of harsh, confrontational noise exemplified on his 1996 release,. Since 1980, he has released over 400 recordings, and has collaborated with various artists. The name Merzbow comes from the German artist ' artwork, in which Schwitters transformed the interior of his house using. The name was chosen to reflect Akita's dada influence and junk art aesthetic.
In addition to this, Akita has cited a wide range of musical influences from, and early to non-musical influences like dadaism, and fetish culture. Since the early 2000s, he has been inspired by and, and began to follow a, lifestyle. As well as being a prolific musician, he has been a writer and editor for several books and magazines in Japan, and has written several books of his own.
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He has written about a variety of subjects, mostly about music, and. His more renowned works were on the topics of and. Other art forms Akita has been interested in include painting, photography, filmmaking, and dance.
In 2000, released the 50 CD box set known as the. Akita's work has been the subject of several and at least one. This, among other achievements, has helped Merzbow to be regarded by some as the 'most important artist in noise'.
Contents. Life and career Early life Masami Akita was born in, Japan on December 19, 1956. He listened to, and later in his youth, all of which have influenced his noise. In high school he became the drummer of various high school bands, which he left due to the other members being '-smoking freaks'.
By this time, he and high school friend Kiyoshi Mizutani had started playing improvised rock at studio sessions which Akita describes as 'long along the lines of or but we didn't have any psychedelic taste'. He later attended to study, at which he majored in painting and. While at university, he became interested in the ideas of and and also studied dance. At Tamagawa, he learned of ', or art made from rubbish, including Schwitters' Merzbau (meaning Merz building, German pronunciation: ), which is the source of the name Merzbow. Beginning (1980–1989) Merzbow began as the duo of Masami Akita and Kiyoshi Mizutani, who met Akita in high school. Akita started releasing noise recordings on through his own, Lowest Music & Arts, which was founded in order to trade cassette tapes with other underground artists. The earliest recording he made was.
Various other early releases included and. The Collection series consisted of ten cassettes, the first five were recorded in a studio for an independent label called Ylem, which went defunct before they could be released. So, Akita released them himself, and recorded five more at home.
Akita's earliest music was made with and creatively recorded percussion and metal. I threw all my past music career in the garbage.
There was no longer any need for concepts like 'career' and 'skill'. I stopped playing music and went in search of an alternative. — Masami Akita Early methods included what he referred to as 'material action', in which he would closely amplify small sounds so as to distort them through the microphone. This method was used on and. Among early releases like the box set, Merzbow created artwork using of made out of and porn magazines he found in trash cans in the Tokyo subway. Akita explained this as trying to 'create the same feeling as the secret porn customer for the people buying my cassettes in the early 80s'.
ZSF Produkt (pronounced Zusufu, from an ancient Japanese word meaning 'magnetic') was founded in 1984 to release music by similar artists within the movement but eventually became the successor to Lowest Music & Arts. Numerous Merzbow releases were recorded at ZSF Produkt Studio, Masami Akita's home studio. During this era, Merzbow found much wider recognition and began making recordings for various international labels. Was his first LP released outside of Japan.
He also started touring abroad with the help of various collaborators. First, Merzbow performed in the USSR in 1988, then, toured the USA in 1990, Korea in 1991, and Europe in 1989 and 1992. Kiyoshi Mizutani left Merzbow after the 1989 European tour and continues to pursue a solo career. Noise electronics era (1989–1999) During the European tour in September–October 1989, Merzbow could only bring simple and portable gear; this led to the harsh noise style Merzbow became known for in the 1990s.
(1990) was the first example of this new style, Merzbow's first (on ), and the first recording made for the format. It also includes live material recorded during the tour. But when I started live in late 1980s I didn't like to use tape on stage. I like only live electronics. So, my studio works changed to more live composition style.
I'm still using many tapes in studio works, but difference is I treat tapes and instruments. Before, I used tapes as overdubbing concept. But now tapes are crashing together, no static overdub. I found that style on Cloud Cock OO Grand.
Main article: Bibliography After completing his degree, Akita became a freelance writer and editor for various magazines in Japan. He frequently writes on a variety of topics such as sexuality (including, and. Excerpts appear in the album notes), underground and extreme culture (including music and art), architecture, and animal rights. None have been published in English.